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FIND OUT MORE ABOUT BLACKSMITH & HIGH PRODUCTIONS

Blacksmith & High Productions was created in London in September 2012 by French writer / designer Aurélie Briand, and French actor Matthieu Hauret, both of whom share a common interest in the visual and performing arts. Briand and Hauret’s complicity, enthusiasm, creativity and complementary skills form the basis of their partnership.
 
As a French production company based in the United Kingdom, Blacksmith & High attach great significance to the value of ethnicity and diversity in theatre and film. It is the company’s belief that global stage and screen productions should always endeavour to convey authentic portrayals of the individuals and / or communities represented by their cast. According to the company, the accepted use of character stereotypes in popular culture, especially in theatre and film, should not be taken lightly. Although necessary at times, these stereotypes can easily become weapons for discrimination. This is why the company has decided to fight against this.
 
Blacksmith & High’s core mission is to promote French culture through its work and thus contribute to the latest success of the French movie industry in Britain and overseas.

© 2012 Thierry Hauret

FIND OUT MORE ABOUT THE FILM

ORIGINS


The Finest Red is based on the short story Rouge, written by Aurélie Briand in 2001. This short story places its lead character Loïc as a narrator, thus offering the readers a direct insight into the protagonist’s complicated mind. Briand’s use of graphic and poetic language to convey her story makes way to a rich and complex inner monologue seasoned with astonishing visual descriptions.
 
When Briand and Hauret launched their production company they had in mind adapting Rouge into a screenplay. They believed this story would make a successful and entertaining short film, whilst staying true to the company’s vision.
 
Remaining faithful to the tone and spirit of the original work of fiction, while adjusting to new parameters and standards, was a daring challenge they were both willing to take on. Consequently, The Finest Red shows Briand and Hauret’s determination to do just that. Whilst characters, plot and atmosphere (including actual parts of the original written material) have been preserved, one additional character was added to establish more in-depth background information and heighten the stakes.
 
For these reasons Rouge cannot simply be viewed as a mere start-off point to a greater, more elaborate scheme; quite the reverse. Briand’s short story is the catalyst which holds The Finest Red together.

SYNOPSIS

​
Loïc, a novice French accountant, lives an ordinary life in London. Although he is making a living from a job he does not particularly enjoy, the young man appreciates the monotony and stability provided by his daily routine. This sense of balance however is quickly disrupted when his chronic insomnia compels him to seek advice and guidance from a shrink. Things take a turn for the worst when Loïc’s flamboyant step-sister Elena suddenly reappears in his life. Loïc’s darkest secrets start to resurface and in no time the young man is overpowered by his emotions. Feeling misunderstood and vulnerable, Loïc is prepared to do anything to regain control over his life. 

CONCEPT

 

The Finest Red explores such themes as family unit, mental illness, social behaviour and ethics. It puts forward the conflict between one’s moral values and natural primitive needs.
 
The film is not just about an ordinary man forced to confront his inner demons and struggling to cope with the consequences. It is also about making connections and finding a purpose in life.
 
But the film is above all a social commentary on cosmopolitan societies, where attention is drawn to multiplicity. The Finest Red raises inevitable questions on matters of segregation and integration as the protagonist is forced to embark on a quest for his own identity and almost immediately finds himself torn between his sense of belonging (to a social norm and his personal surroundings), and his feelings of exclusion.

The Look of the Film

 

The Finest Red script plays with the reader’s perception of reality and fantasy. There is indeed a fine line between these two conflicting worlds which are kept separate at first but are gradually blended with each other. One of the crew’s many challenges will be to produce a clear and convincing rendition of both worlds. To achieve this effect, reality will be represented as somewhat bland, monotonous and dull, and fantasy as more saturated, exciting and colourful.
 
In terms of the look of the film, we will be taking visual cues from films such as Trouble Every Day (directed by Claire Dennis), Perfume (directed by Tom Tykwer) and / or Shame (directed by Steve McQueen), or from TV series such as Dexter (directed by James Manos Jr) and / or Breaking Bad (created by Vince Gilligan).

cinematography & camerawork

 

The theme is isolation and observation. In the beginning we see Loïc surrounded by his life, lost in wide shots and almost blending into the background. As the story progresses and we start focusing on Loïc’s thoughts we move closer to him, isolating him with long lenses or wide angle over shoulder shots.
 
At no point in the film should Loïc seem incorporated into a scene. He should look out of place wherever he is. This will be achieved not only through cinematography but also through lighting, set- and sound design; colours, fabrics, positions, isolated sounds etc.
 
The camera acts as an observer and is at no point knowing; it suggests the sensation of an outer body experience. The focus is always from Loïc’s perspective and should mirror his focus.

Music

 

The musical score will be at the image of the film: rock and roll, gritty and sensual; but also classical and eerie to heighten the artistic aspect of the film and the tension. The music is to be originally composed exclusively for this film. It will draw inspirations from bands such as Massive Attack, Placebo and / or 30 Seconds to Mars, or from films such as 28 Days Later (music composed by John Murphy) or Requiem for a Dream (music composed by Clint Mansell).

Sound Design

 

Much of the sound design will create a feeling of unease and tension throughout the movie. Day-to-day sounds, representative of Loïc’s routine, will be accentuated: bus, train, cars, office, shower, brushing, etc. Social sounds in the background (chatter, laughter, etc) will also be emphasized to heighten the main character’s sense of paranoia and exclusion. Finally the recurring strident sound will not only help convey the character’s distress / agitation but also build the tension and engage the viewers themselves into feeling discomforted.

Casting

 

The casting is key to this film. French actor Matthieu Hauret will play the role of Loïc Morin, and Yaiza Figueroa from Puerto Rico will play Elena Bairoa Morin. The two leads met while studying for an MA in Acting for Screen at the Royal Central School of Speech and Drama. They have thus already had the opportunity to work together on previous films. They are also close friends, which will guarantee their chemistry on screen.

Locations

 

​All locations will be representative of the middle-class urban life in London.

Budget / Expenditure

​
We aim for a budget of £8,500
 
The Finest Red is a very visually driven story and Blacksmith & High Productions want to make sure they can pull the audience into this world and suspend their disbelief. This requires a professional and well-designed look. Director Rolf Tauss wishes to shoot on the Alexa – a widely used camera system for film and TV. It will allow him to use lighting minimally but effectively and achieve a productive and efficient workflow. The film crew will also require lighting, grip and sound equipment which the company intends to source as a package. Some of these might also be provided by crew members.
 
 
Image                                       
                                      
                                      
                                      
 
Sound                       
                                      
                                                                 
                                                                 
 
Lighting                                       
                                                                      
                                      
                                      
 
Grip                           
 
                                      
 
Art Direction               
                                      
 
                                      
 
Catering                                                          
 
Data Management         
 
Insurance                                                        
 
Location Rental                                                        
 
Transportation                                                         
 
Contingency                                                     
 
Post-production           
                                      
                                      
                                      
 

*might use engineering technician’s own equipment or source as package                                  

£2,500
£50
£300
£100
 
£n/a*
£n/a*
£n/a*
£n/a*
 
£n/a*  
£n/a*
£n/a*   
£n/a*
 
£n/a*
£n/a*
£n/a*
 
£300
£300
£30
£200
 
£500
 
£100
 
£500
 
£1,500
 
£1,100
 
£300
 
£100
£150
 
£250
Camera Arri Alexa
Accessories
Lenses
Monitors
 
Audio Mixer/Recorder
Microphones
Radio mics
Boom Pole
 
L.E.D. Lite Panel
Kino Flo
Tungsten
Gel Sheets
 
Tripod/Head
Rig/Accessories
Tracking
 
Set Design
Props
Make Up
Wardrobe
 
 
 
Hard drives
 
 
 
 
 
 
 
 
 
Editing
Music
Festival Entry
Fees   

 

TOTAL EXPENDITURE
£8,280
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